Poetry

english, all Julia Schmidt english, all Julia Schmidt

MOURNING SONG

…What felt empty once, is the space in which our essence unfolds as we live it. …

They close themselves around lifeless rooms. Where all joy has been dropped to the floor in the midst of a party.

There´s an impatient frustration, a sort of slightly blameful awaitening for someone to daringly pick themselves up.

Someone brave enough to enter the silence...

the explosive space, where everything begins anew. And fresh eyes see.

It's a mourning song, that has burried itself deeply into the ridges of humankind. A tragedy that quietly awaits it's absolution. A bang, an explosion, something new,

Something surprising, ...Something utterly unknown.

Silence.

Propose a game he says, or she says, or it says.

In reality we are waiting for ourselves here. Not anyone other than.

Only our own integrity, our love, our own inner power, space.

The creation that lives us, and only ever is found a blink of an eye inwards, rather than outwards. We live from within, if we so choose to.

Sometimes in deep dispair, frustration and sorrow for the moments in which we were unable to meet, and step freely into ourselves.

Even the sorrow for those moments in which we didn't meet ourselves, is a portal to the biggest of all kingdoms.

All the worlds riches united at this one (w)holy place. The one unchanging moment.

The surrender to ourselves, is the surrender to Now. Surrender into the deeply anchored, deeply confused, deeply changeable, deeply sorrowful, deeply vulnerable, deeply exited, and awe-inpired,

deeply everything...

Not even hope has feet to walk here. And neither, before nor after are really real...

We are driven by something bigger than us, the same as us, by life itself.

The spark ignites within. The inner space. We can only feel it from here. It's unreachable while residing in the borderland around the emptiness.

What felt empty once, is the space in which our essence unfolds as we live it. Everything else is a shallow line drawn around our being. A belt around the waist suffocating the life within.

A celebration around this hollow, is not a party at all, unless it celebrates the death of the tragedy, in which everyone waits.

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all, english Julia Schmidt all, english Julia Schmidt

THE DREAM

…No dream is too big to be dreamed into existence… 

No dream is to big too be dreamed into existence.

Too big to be lived. In fact maybe the dream is rather than an illusive future, the tiny first seed of our presence... of existence planted firmly in the ground.

Made visible and alive slowly.

Similarly to the first longing for someone we recognise as ourselves, as the moving waves of our hearts. And which only we recognise with the ripening of our hearts.

We are here prior. Witness to the big spectacle of life and all worlds colliding.

Perhaps if we've stopped dreaming - rather than a sign of great sensibility, and rationale - it's a sign of having lost faith in our fellow humans, in the companionship with nature, and union with life.

It's a great blessing to be reminded and live our dreams through the dream of another. If we let it touch us right, we will know that we are ripening the seeds of our own dreams.

Living into existence the trust in support, companionship and value of our own contribution in life.

And that no dream is too big to be lived. In fact it is just right.

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all, english Julia Schmidt all, english Julia Schmidt

DANCE OF THE SOULS

… the question is not again, or when. We only have this moment.

So we ride the waves to ride us closer to ourselves. And with every heartbeat we win ourselves back a little more. In this instance we are.

Free. …

There's a much wider place we go, when we begin to listen. Deeply, gently listen into the stream of our own sensations. The vast field of our body, as it unfolds, and un-toils itself. When force, the need to release, wish to control, or to keep it together subsides into the same stream of sensation. Into our listening.

When a faint voice in us begins to speak and be heard. This is where the dance of the souls start.

The dance that moves the universe. For a while we come along for the ride of our pain primarily, to serve its need to be expressed, and be there for it, nurture it, live it, sometimes coil up around it, and sometimes move to the edges and beyond consciousness. Into God and the goodness of it all. If ever there were anything like edges to be found, maybe we could than find ourselves as solid.

Maybe for too long we didn't feel. Maybe because we were ripped in two as children, maybe because we have come to know ourselves as pain better, than ourselves as all the other things that we are too. Maybe as a means to scream you fucking violated me, not knowing how to protect and honor ourselves otherwise. But the question is not again, or when. We only have this moment.

So we ride the waves to ride us closer to ourselves. And with every heartbeat we win ourselves back a little more. In this instance we are.

Free.

All states are states of being. States of ourselves. Phases our nervoussystem travels through, which subsequently we travel as. And reside in for a while. Who are we to judge ourselves for it? Or the pains and joys deriving here? There's no doubt that we are all of it, so much yet to be born.

Like a garden, we move in spirals through the span of a lifetime. Growing wider, and bigger and more beautiful come spring, or a new dawn. We don't need to follow the seasons, as long as we follow our own. And we will live grey and dormant times, deep-dives, and the recoiling into our pains and memories. Until again we expand to harvest the ripe fruits of our becoming. Who are we to judge...

There's no shame in recoiling, recalibrating, in changing. But possibility, potential, grace, they all remain...

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all, english Julia Schmidt all, english Julia Schmidt

TRAINS IN THE DISTANCE

…We are here to encompass so, so much. So much light, so much darkness. We stretch oceans in this endeavor.

The pebbles on our ways reflect it, and the sunlight too, to blind us. Sometimes with beauty. ...sometimes just blind. …

We are here to encompass so, so much. So much light, so much darkness. We stretch oceans in this endeavor. The pebbles on our ways reflect it, and the sunlight too, to blind us.

Sometimes with beauty.

...sometimes just blind.

We have mountains to climb.

Wander in worlds unknown to man, prior to their becoming. Prior to our becoming. Only alive by all things journey. And our own.

Indeed we are grand beings, holding all that is, within the depth of our souls. However unbeareable, we bear witness to the grandure of our capacities. The holding of it all. Holding on to nothing.

As soon as it is, it passes.

Cannot be retrieved anywhere other than perhaps in slight memory and an echo.

Silenced.

Always moving foreward. Even during the visits and visions of memory, of story.

So much to tell in the whispers of the night.

Nothing can be contained. Or ever held on to.

So it goes. Travels through.

Like trains crossing the wide stretches of a land and nature.

Monumental, powerful nature, a peace of unfiltered potential that’s beyond awe-inspiring.

Where horizons melt in the distance, and wash both heaven and earth into unison.

Reminding us of the grandure of our being and life.

Washing over us with the clearity, that's given only by the recognition of peace recognising itself.

Claiming itself and its children eventually.

Until only the echos of trains in the distance remain.

And the silence of our grand selves.

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all, english Julia Schmidt all, english Julia Schmidt

THE WORDLESS REALMS

Where do we enter when we fall silent?

Which is it, that speaks the language of the wordless realms? Where all stories end, and only space emerges.

Where we emerge, as the same wide open space we sense, and hear, and feel...

And the knowing, THIS is where I belong.

Is anything calling for you here?

A heavy heart?

An ancient story, that's been told too many times?

Accustomed to the costume.

Something to taint this world and life a tad greyer than it is.

The realm of peace.

Put a veil on, and a lid and a smile perhaps.

Or perhaps not.

Perhaps contract a little.

To not show how beautyful we are.

What power, and that stunning light.

Because God forbid they shine.

It was never God that did forbid though.

Anything!

But the fear to not fit, did.

Understandably, because really, we never did, fit.

No-one ever did.

Not into the concepts, the ideas, the costumes, or names, the big disguise.

Even our bodies, however grand they are, and oh my God they are… grand!

Even they are tiny in comparison.

Nothing can contain us.

What are we here?

If not container to the incredible unfolding of us?

The ever expanding movement that initiated aeons ago pulsing through us. That we get to glimpse at throughout the span of our short lifetimes.

We always grow bigger!

Our beautyful bodies at the gateway of our being, center to express and sense it all.

We stretch ourselves to bridge the biggest of paradoxes, and all kinds of contradictory sensations.

All directions at once, sometimes.

Sometimes just one, sooo strikingly clear.

No, we are rarely afraid of being small.

It's the recognition of the grand shoes we are wearing, that renders us wary at times.

Because of them, we know how big we are in essence.

This is where we are more likely to faint and freeze, make ourselves a little smaller. Contract, and block, and hold back a little.

Taking on a costume that was forever too tight.

And life only knows, it will strip us of this one too.

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all, english Julia Schmidt all, english Julia Schmidt

THE DANCE

…When the world dissappears, and the only thing left is the raw throbbing of rythm, and a dance so powerful and passionate as when oceans collide. …

When the world dissappears, and the only thing left is the raw throbbing of rythm, and a dance so powerful and passionate as when oceans collide.

Heartbeats, and a surge of energy lets floors and body tremble. They reach eternity here. The beginning of all things.

She brings it all to her dance.

Always.

The shiver, the hurt, love, all the love. Nothing less. Nothing more.

They know it, she knows it.

When we bring ourselves, we bring everything.

The awkward, the deepest yearnings, lost and newfound dreams, home, and the recognition and longing for home. Excitement, beyond excitement, and sorrow beyond sorrow. The close and the so very far away.

Memory and the dance of untold stories.

Touch. One touch, to change everything. To change the room, the atmosphere, direction, and a meeting forever. A touch from one soul to another.

It's her Yes.

Her eyes are of all things. Love and sadness. Far beyond the space they see, yet so very clear and present in this intimate space of the dance. Wherever space takes her, and heart, and rythm.

There's no space to fight our inner space. What fills our souls is the direction we must wander.

Is the dance me must dance.

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all, english Julia Schmidt all, english Julia Schmidt

UNTAMED OCEANS

…Surrendering into the moist darkness of this season. Into the stark contrasts formed by dimmed light and a shallow sun setting in the horizon. …

Surrendering into the moist darkness of this season. Into the stark contrasts formed by dimmed light and a shallow sun setting in the horizon.

I breathe in miniature raindrops that have sprinkled the air by millions. And I enjoy their company, as I do the company of those that have ventured into the autumny wet grounds too, from afar.

The wet, and grey accompanies our journey inwards, riding the last rays of fierce fire, suspended halfway, mid air somewhere, held motionless in space and time.

My in-breath moves me up, and up, and out, resting there for a while... Until another drop lands to melt me into the depth and bittersweet darkness of myself, into the ground.

My breath releases slowly, long and heavy. Sad, but content. And there's relief as I stand here, thoroughly planted like the old oaks rising to my right. Yet flexible to move through the landscapes of my inner world.

In this moment they are a mirror image of my surroundings. Gently winding hills, deep forests, old growth, wide meadows and views of an unending sea. It's like a dance on the ocean. Spectacular and beautiful.

Some parts of me too well tamed. They yearn for the wild, unbroken nature of themselves. A little less spoiled by societal interference, but mainly my own beliefs and disbeliefs.

Some parts more free.

And there's the all so familiar whisper of autumn. The companionship, to envelope life in silence.

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english, all Julia Schmidt english, all Julia Schmidt

HUSH, HUSH

…Hush, hush

Life changes rapidly

Stirring reflection and wonder, and thinking back.

A morning coffee, a fresh breeze, and an ever so frosty, autumny, but soft atmosphere. As if I was lying in a bed of leaves. …

Hush, hush

Life changes rapidly
Stirring reflection and wonder, and thinking back.
A morning coffee, a fresh breeze, and an ever so frosty, autumny, but soft atmosphere. As if I was lying in a bed of leaves. Gently held and covered.
Hush, hush they wisper. While wind and birds talk slightly louder.

Who am I hearing when I'm hearing you and me
Crosses my mind, as it did a day ago
Am I hearing me or you
Maybe a little bit of both
Or the echo of what we both are made of
Once brother willow tree told me, I see you differently than you see me

I see me as you, and you as me
And I told him with tears in my eyes, and longing,
I feel not ready for your kind of love
Now I know I felt not good enough,
And what I really felt, but didn't know, was that I felt not whole
I had lost a part of me
My brother taught me as part of me and us
That even when we are far away, we are never really lost
My brother taught me, where ever you are, you can always get in touch.
You can always find me here
reside inside you
He said you need not ask permission to greet my kind
They hear you just as you and I hear us

Hush, hush they say
Just listen,
...
listen, listen

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all, english Julia Schmidt all, english Julia Schmidt

FREEDOM OF CHOICE

Some things we learn to do, not to do them. But to be free to choose to do or not do them.

Some things we learn to do, not to do them. But to be free to choose to do or not do them.

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english, all Julia Schmidt english, all Julia Schmidt

THE LIFE OF DEATH

…Now true to our nature we discover, true to our form we see. In distance rising visions, slowly breaking free….

Now true to our nature we discover, true to our form we see.

In distance rising visions,

slowly breaking free.

Dawn in springtime living,

falling dead of time.

Perception growing widely.

The dialogues of space and life.

From one form springs another.

Birthing breath and name.

A border, misconceptualized.

It's the life of death

Not the end of life.

Through pieces came your name alive as life.

Uniquely, wildly lived, and loved your form.

The animating force of life.

You came as a fragment to it all.

You passed as sorrow for the loss of you.

You passed as the wisdom for the teaching of you.

You passed as the knowing of connection with you.

You passed as the living death of you.

You passed as the moving grief of you.

You passed as the not letting go of you.

And as the tears for the loss of you.

You are here as the longing and missing of you.

As the memory and spirit being of you.

You passed as the incredible aliveness of you.

You are the incredible aliveness of you.

It's the life of death that pulses through our veins, roars in our hearts and blood.

With clear as starry eyesight we might see the life of you.

The animating life force and intelligence you are

The inspirational creation that you are.

Death isn't the end of life

It's the transition of fragments arriving back home.

Being birthed into other forms.

The movement of being and wholeness of all.

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english, all Julia Schmidt english, all Julia Schmidt

AUTUMN AFTERNOON

…Look, look
at all your nooks and crannies. As if a sculpturer once shaped you...

Look, look, at all your nooks and crannies

As if a sculpturer once shaped you

You tease me, tease my curiosity

Exquisitely

The way you´ve grown in a sort of unexpected manner

You are unparalleled

Entirely unique, your own

How you can teach us...

Remember, you say, all the ways in which you move from

Move

Navigate but follow, mostly

Swim along these crooked lines of mine

Not a straightforward path to find here

The lines were made up, slipped, turned, ended

Began anew

We curve, snaking along your bones, change direction, adapting, exploring an unknown

world at every turn

To the light that´s peeking through

Lighting up clear minds

Letting children shine through

Senses sharpened, yet wide

Grey skies

Blues and purple

Way beyond that milky white vail

Golden yellow pencil strokes surround me

Until they as well are let go to fall

Covering the ground

As my naked feet are touched by your softness

They dance in and with you.

So is the rest of me.

Touched and moved by you.

Thank you for allowing, thank you for simply letting be.

You demand attention, equally as wonder

For if I do not tend to your bones and bends, your curves,

I may slip

And like this, we play a game in which both hands and feet melt into you

Our boundaries are fading with the dimming lights of this

exquisite autumn afternoon

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english, all Julia Schmidt english, all Julia Schmidt

TOUCHED

…Late summer is bringing edge to her wind. Coldly touching my skin. Nibbling and biting my cheeks a little…

Late summer is bringing edge to her wind.

Coldly touching my skin.

Nibbling and biting my cheeks a little.

The horizon feels deeper as the polarities of warmth and cold meet.

In this deep dive I feel inspired and inquisitive...

I stretch myself thin to enter through that sharp line at the edge of this world

Wondering,

what's there?

Bursting into another one here.

Where hands can't touch, mind may as well.

Or soul.

Beauty intrinsically woven into it all.

What can't we touch?

If not our hands are made subject to be touching

or see,

if not our eyes are destined to make visible that which is unseen?

There're qualities in the forms of touch.

Flavours of sorts.

And layers,

Flavours in the qualities of meeting and melting.

I can be wowed by the touch of a man, or my own,

as I can be by the ocean.

In moments

time stands still,

is unending nor beginning.

Never stops.

And never stopped.

In the embrace of sky and earth, I feel myself touched by the arms of existence.

Surrounded,

Tugged in

amidst the playgrounds of multiverses.

I marvel at the sensory experience that's unfolding

wordless and silently,

yet full of sounds and things.

Where noise becomes a somewhat quiet undercurrent

while white steaming rapids at surface level are looked through.

I'm amazed by the place of earth and ocean,

by mother and by creation.

In awe of the vastness experience holds,

in awe of the vastness of the sky and the waters

My own vastness too

Looking into eternity,

And this ever-changing sky.

Through a peak hole of consciousness and ever-changing life.

Side by side they stand,

with themselves and as mirrors floating somewhere in space as space.

Indescriptive, timeless.

I begin seeing our words for this world as almost belittling in the vast none conceptual understanding of this.

As if every conceptual understanding we might try to form, were to push vastness into a tiny container.

Birthing it into a sort of skin that eventually must crack,

like snakes shedding skins and never growing skin back.

While I ponder this place

And the relation to all things they seem to fade into nothing.

Yet they remain and turn into something all the more powerful.

Perhaps of even greater value.

Or perhaps they are just taking their rightful place.

Like wind touching skin.

And skin touching wind.

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english, all Julia Schmidt english, all Julia Schmidt

THE SEED OF NOTHING

…Everything is from the seed of nothing…

Everything is from the seed of nothing. The seed of nothing holds within it, the seed of everything. From here grows the capacity to analyze, understand and reflect. The ability to conceptualize which in turn creates context. We aren't in fact smart to understand. It is the very process of creating context that shows the limits of mind. The process of retracting bits and pieces from the whole in order to understand. It is by our mind´s inherent nature to create order, that the world, our selves, each other, and life itself can become seemingly small.

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english, all Julia Schmidt english, all Julia Schmidt

ALONE

There is a certain kind of loneliness, to which the best remedy is, being alone. Sincerely Aloneness.

There is a certain kind of loneliness to which the best remedy is, being alone. Sincerely Aloneness

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english, all Julia Schmidt english, all Julia Schmidt

UNDONE

We will never be done. As anything, we will certainly be undone though.

We will never be done. As anything, we will certainly be undone though.

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EQUALS

On the scale os experience, they are all equals.

On the scale os experience, they are all equals.

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english, all Julia Schmidt english, all Julia Schmidt

ART

…A walk at dawn and late-night buses, colors on abandoned walls, and places of playful thinking and loud voices. Laughter as dark noises…

A walk at dawn and late-night buses, colors on abandoned walls, and places of playful thinking and loud voices.

Laughter as dark noises.

Excrements in the streets and smells. Sounds. A cleaning lady. City escapes.

To the outskirts of cities or land and from. Opinions opposing others or an own.

Superficiality, ingenuity, consensus-seeking, or running from?

Navigating through lively entanglement, finding a niche to fit in society, or finding society fitting the niche.

Or finding society, niche, and lady as sound and smell being the same.

As labeled perhaps they reach for the stars, leaving them relentlessly, giving up.

Breaking out in other terms. Collapsing, as another word.

Or breaking into a house, one's own. Another's.

Climbing up through windows, reaching then falling. Dropping into one's own.

But failing to enter somewhere or take.

Instead, leaving another something behind in the dirt between the wooden floorboards floating.

Cannot be seen anymore, remembered though,

as something new appearing in the cracks that open, as they show.

They hold memories in their palms. Crack open. Yet, were never closed.

A heart is racing somewhere. Is held by the hands of a heart that can't be seen or heard.

Nurture nourishes, bounces of the fall. Or stands itself up on its feet again.

Opens eye and senses to worlds larger than can be imagined.

A poet in disguise beggens by-passers not to be recognized.

Beggens his muse and gods instead, to let enjoy the walls that appeared as gaps between the paper and its sheets

that spread out no words to no one anymore. Yet stayed plentiful.

While contrasts lost structure and color too, he beggens to stand a distance that he doesn't understand to full extent.

Hence distance's felt, it must be so, is said.

Belief as well once learned, he thinks.

A beggars mask, uniquely shaped, shouts out its thanks silently, yet is heard.

The wall doesn't open new doors, but is door.

Not a pathway to pass or get by.

It's muse in disguise

It's art.

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english, all Julia Schmidt english, all Julia Schmidt

STRIPPED

…Hey there, raw beauty
Beautiful indeed, I'm sure
Come closer darling, will you?
Don't hide that pretty face of yours…


Hey there, raw beauty

Beautiful indeed, I'm sure

Come closer darling, will you?

Don't hide that pretty face of yours

Take a closer look, god damn it! See me! Sadness here, happy, or...

Waiting on something better coming? A little something more?

What's the matter sweet love? Thinking, you could get away?

Let's be closer this time Closer than was dared before

There won't be any better love, changing yes of course

No better for the sad, the happy. Not the neat or the calm

Or fancy for the sake of it

Fancy not my thing, I think...

If you're having a rough day, dear, or feel like heading for the doors

Go or stay No, please stay...

Would you do so?

Just a little bit, or meet elsewhere

I've got nothing and no more to offer

Just me

And maybe you for you

There is no point, or becoming

None to fix

Not a single place to place you

Don't know if I understand you really, don't know if I should, or could

Leave it, naked for a while

Stripped

But far from that

What if I did... stripped it for you?

Body. Beast. Feel free, please Please me, please you.

New? Not new? Exiting?

Wouldn't exactly say so

But then again, perhaps

Another might do

Has been done before, as such

Plain, old, easy stuff

Really, is it?

Changing always

Every other Second

Every after and before

A bit of fear maybe

How does it feel, Love? Tell me...

For what?

Perhaps, it'll make more sense now

Wauw...!! This is rather uncomfortable!

A bit cold, don't you agree?

Why would I do that?

Why would you let me?

Why are you doing that to me?

What if I hid my face?

Or painted it.

Funky colours, bright, which ones are the happy shades?

Or what if I hid a little less or more

Of the pink inside? Or you did? Better?

Could we love us just like this?

FUCK...!!! Nope, can't do it, sorry.

Could shave an arrow though... point it down, than turn it up and out

Have my boobs dropped already?

Maybe... Likely...

If I stood a bit more like this

Or did a bit more of that

Or were a bit more different

And efficient

Just enough, not too much

Maybe make that thing stay on the hip

Or that piece on the floor reversed

And not be hysterical

And keep the shoulders back

Bring them down

Hip front

Have a tummy tuck, chest in or get a whatever-job

Squeeze the butt

Keep our money between our thighs

Work harder, longer, better

Release shoulders

Long arms

Reach out and through

Not too much

Stretch more

Rip cage in, or remove a bone

Stay flexible and unaffected

Sufficiency

Do it

Head high

Keep it simple

And keep the smile

Stronger

Long and lean, and a bit more extraordinary

Then the rest.

What?

Only cry when you're upside down

Face and hands dive under

But not drowning

Uhh, that's quite beautiful

Think of the Mexican you just met

Forget everything when you're with friends

Them too

Then go and shine with your lovely crocodile leather shoes

A balancing act is what it is

Why I am doing this?

Ask you

Wider, longer, tighter Legs

Keep it, keep it, keep it

Work it baby, work it

Tell ourselves and each other.

You can do it

Do it

Then, in an average of a hundred and twenty years

We're the best versions of ourselves Or not

Ahh no..., because we're dead

Work it, work it, work it

For this moment, moment, next, and strip

For futures never and unheard of

All inexperienced and raw

Be the children we always were

"Now do the thing you came here for I'm waiting!"

I can hear them screaming Dear,

I'm so sorry to must disappoint you

Missed the balance, missed the show

I think it's shit as brilliant shit is

Don't you despair though

We'll get there

Later

Or if not, we'll tell another

Hang in, that's what we do

What is it that you really want, Love?

What was it that you came here for?

Is there anything that I can give you

That could make you the more whole?

Come dance with me raw beauty

Be shy if that's your thing

Dance as if there's no tomorrow

With me, as me, or dance back home

Do whatever, you find, suits you

Naked, in your shoes

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